Jusepe de Ribera
1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.
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Jusepe de Ribera Sense of Taste oil painting


Sense of Taste
mk84 ca.1613-16 Hartford,Wadsworth Atheneum. canvas 117x88cm
Painting ID::  32906 		Jusepe de Ribera
Sense of Taste
mk84 ca.1613-16 Hartford,Wadsworth Atheneum. canvas 117x88cm
   
   
     
Jusepe de Ribera St.Ferome and the Angel oil painting


St.Ferome and the Angel
mk84 1626 Naples canvas262x164cm
Painting ID::  32907 		Jusepe de Ribera
St.Ferome and the Angel
mk84 1626 Naples canvas262x164cm
   
   
     
Jusepe de Ribera Apollo and Marsyas oil painting


Apollo and Marsyas
mk84 1637.Brussels canvas 202x255cm
Painting ID::  32908 		Jusepe de Ribera
Apollo and Marsyas
mk84 1637.Brussels canvas 202x255cm
   
   
     
Jusepe de Ribera Ladnscape with Shepherds oil painting


Ladnscape with Shepherds
mk84 1639 Salamanca,Dukes of Alba canvas 128x269cm
Painting ID::  32909 		Jusepe de Ribera
Ladnscape with Shepherds
mk84 1639 Salamanca,Dukes of Alba canvas 128x269cm
   
   
     
Jusepe de Ribera Dream of Facob oil painting


Dream of Facob
mk84 1639 Madrid,Prado,canvas 179x233cm
Painting ID::  32910 		Jusepe de Ribera
Dream of Facob
mk84 1639 Madrid,Prado,canvas 179x233cm
   
   
     
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     Jusepe de Ribera
     1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.

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